https://www.rigpawiki.org/index.php?title=Thangka&feed=atom&action=historyThangka - Revision history2024-03-29T00:37:44ZRevision history for this page on the wikiMediaWiki 1.40.1https://www.rigpawiki.org/index.php?title=Thangka&diff=77824&oldid=prevKent: Tibetan.2017-01-23T05:36:34Z<p>Tibetan.</p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Thangka''' (<del style="font-weight: bold; text-decoration: none;">[[</del>Wyl.<del style="font-weight: bold; text-decoration: none;">]] </del>''thang ka'') — a thangka is a hanging scroll which consists of a painted or embroidered picture panel (called ''mélong'' in Tibetan, which means ‘mirror’), usually depicting a [[buddha]], [[mandala]] or great practitioner, which has been sewn into a textile mounting. Thangkas are intended to serve as a record of, and guide for, contemplative experience and [[kyerim|visualization]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Thangka''' (<ins style="font-weight: bold; text-decoration: none;">Tib. ཐང་ཀ་, </ins>Wyl. ''thang ka'') — a thangka is a hanging scroll which consists of a painted or embroidered picture panel (called ''mélong'' in Tibetan, which means ‘mirror’), usually depicting a [[buddha]], [[mandala]] or great practitioner, which has been sewn into a textile mounting. Thangkas are intended to serve as a record of, and guide for, contemplative experience and [[kyerim|visualization]].</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td></tr>
</table>Kenthttps://www.rigpawiki.org/index.php?title=Thangka&diff=73266&oldid=prevSébastien at 21:52, 20 May 20152015-05-20T21:52:02Z<p></p>
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</table>Sébastienhttps://www.rigpawiki.org/index.php?title=Thangka&diff=19860&oldid=prevAdam at 09:19, 6 August 20092009-08-06T09:19:49Z<p></p>
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</table>Adamhttps://www.rigpawiki.org/index.php?title=Thangka&diff=19859&oldid=prevAdam at 09:18, 6 August 20092009-08-06T09:18:17Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Tulku Thondup]], ''Enlightened Journey'' (Boston: Shambhala, 1995), Chapter 5. 'Tibetan Buddhist Thangkas and their Religious Significance'.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>*[[Tulku Thondup]], ''Enlightened Journey'' (Boston: Shambhala, 1995), Chapter 5. 'Tibetan Buddhist Thangkas and their Religious Significance'.</div></td></tr>
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</table>Adamhttps://www.rigpawiki.org/index.php?title=Thangka&diff=19425&oldid=prevSébastien: /* Further Reading */2009-07-23T13:00:30Z<p><span dir="auto"><span class="autocomment">Further Reading</span></span></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*[[Tulku Thondup]], ''Enlightened <del style="font-weight: bold; text-decoration: none;">Living</del>''<del style="font-weight: bold; text-decoration: none;">, </del>Shambhala, 1995, Chapter 5. Tibetan Buddhist Thangkas and their Religious Significance.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*[[Tulku Thondup]], ''Enlightened <ins style="font-weight: bold; text-decoration: none;">Journey</ins>'' <ins style="font-weight: bold; text-decoration: none;">(Boston: </ins>Shambhala, 1995<ins style="font-weight: bold; text-decoration: none;">)</ins>, Chapter 5. <ins style="font-weight: bold; text-decoration: none;">'</ins>Tibetan Buddhist Thangkas and their Religious Significance<ins style="font-weight: bold; text-decoration: none;">'</ins>.</div></td></tr>
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</table>Sébastienhttps://www.rigpawiki.org/index.php?title=Thangka&diff=17052&oldid=prevSébastien: /* Further Reading */2009-05-24T09:06:25Z<p><span dir="auto"><span class="autocomment">Further Reading</span></span></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Further Reading==</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>==Further Reading==</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*Amy Heller, ''Tibetan Art: Tracing the Development of Spiritual Ideals and Art in Tibet, 600-2000 A.D.'', Milan, 1999</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*Amy Heller, ''Tibetan Art: Tracing the Development of Spiritual Ideals and Art in Tibet, 600-2000 A.D.'', Milan, 1999<ins style="font-weight: bold; text-decoration: none;">.</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>*David Jackson, ''A History of Tibetan Painting: The Great Tibetan Painters and Their Traditions'', Wien: Verlag der Österriechischen Akademie der Wissenschaften, 1996</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>*David Jackson, ''A History of Tibetan Painting: The Great Tibetan Painters and Their Traditions'', Wien: Verlag der Österriechischen Akademie der Wissenschaften, 1996<ins style="font-weight: bold; text-decoration: none;">.</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*[[Tulku Thondup]], ''Enlightened Living'', Shambhala, 1995, Chapter 5. Tibetan Buddhist Thangkas and their Religious Significance.</ins></div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Shrine and Ritual]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Shrine and Ritual]]</div></td></tr>
</table>Sébastienhttps://www.rigpawiki.org/index.php?title=Thangka&diff=13833&oldid=prevAdam at 18:16, 23 November 20082008-11-23T18:16:26Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 18:16, 23 November 2008</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The final details to be painted in a thangka are the eyes. This is known as "opening the eyes". The thangka is then considered sacred, but it does not <del style="font-weight: bold; text-decoration: none;"> </del>become an object of practice until a [[lama]] has performed the consecration (Tib. ''[[rabné]]'').</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The final details to be painted in a thangka are the eyes. This is known as "opening the eyes". The thangka is then considered sacred, but it does not become an object of practice until a [[lama]] has performed the consecration (Tib. ''[[rabné]]'').</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">==Further Reading==</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*Amy Heller, ''Tibetan Art: Tracing the Development of Spiritual Ideals and Art in Tibet, 600-2000 A.D.'', Milan, 1999</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">*David Jackson, ''A History of Tibetan Painting: The Great Tibetan Painters and Their Traditions'', Wien: Verlag der Österriechischen Akademie der Wissenschaften, 1996</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Key Terms]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Key Terms]]</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Shrine and Ritual]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Shrine and Ritual]]</div></td></tr>
</table>Adamhttps://www.rigpawiki.org/index.php?title=Thangka&diff=12970&oldid=prevSébastien at 20:02, 26 September 20082008-09-26T20:02:16Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 20:02, 26 September 2008</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Thangka''' [<del style="font-weight: bold; text-decoration: none;">Tib</del>.] <del style="font-weight: bold; text-decoration: none;">- </del>a thangka is a hanging scroll which consists of a painted or embroidered picture panel (called ''mélong'' <del style="font-weight: bold; text-decoration: none;">[Tib.]</del>, which means ‘mirror’), usually depicting a [[buddha]], [[mandala]] or great practitioner, which has been sewn into a textile mounting. Thangkas are intended to serve as a record of, and guide for, contemplative experience and [[kyerim|visualization]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Thangka''' <ins style="font-weight: bold; text-decoration: none;">(</ins>[<ins style="font-weight: bold; text-decoration: none;">[Wyl</ins>.]<ins style="font-weight: bold; text-decoration: none;">] ''thang ka'') — </ins>a thangka is a hanging scroll which consists of a painted or embroidered picture panel (called ''mélong'' <ins style="font-weight: bold; text-decoration: none;">in Tibetan</ins>, which means ‘mirror’), usually depicting a [[buddha]], [[mandala]] or great practitioner, which has been sewn into a textile mounting. Thangkas are intended to serve as a record of, and guide for, contemplative experience and [[kyerim|visualization]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td></tr>
</table>Sébastienhttps://www.rigpawiki.org/index.php?title=Thangka&diff=12341&oldid=prevPetefry at 21:57, 31 August 20082008-08-31T21:57:47Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 21:57, 31 August 2008</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The <del style="font-weight: bold; text-decoration: none;">last section </del>to be painted in a thangka <del style="font-weight: bold; text-decoration: none;">is </del>the eyes. <del style="font-weight: bold; text-decoration: none;">It </del>is <del style="font-weight: bold; text-decoration: none;">said that a thangka has opened its </del>eyes <del style="font-weight: bold; text-decoration: none;">after they have been made</del>. The thangka is then considered sacred, but it <del style="font-weight: bold; text-decoration: none;">is </del>not <del style="font-weight: bold; text-decoration: none;">to be worshipped </del>until a [[lama]] has performed the consecration (Tib. ''[[rabné]]'').</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The <ins style="font-weight: bold; text-decoration: none;">final details </ins>to be painted in a thangka <ins style="font-weight: bold; text-decoration: none;">are </ins>the eyes. <ins style="font-weight: bold; text-decoration: none;">This </ins>is <ins style="font-weight: bold; text-decoration: none;">known as "opening the </ins>eyes<ins style="font-weight: bold; text-decoration: none;">"</ins>. The thangka is then considered sacred, but it <ins style="font-weight: bold; text-decoration: none;">does </ins>not <ins style="font-weight: bold; text-decoration: none;"> become an object of practice </ins>until a [[lama]] has performed the consecration (Tib. ''[[rabné]]'').</div></td></tr>
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</table>Petefryhttps://www.rigpawiki.org/index.php?title=Thangka&diff=9958&oldid=prevSébastien at 19:37, 17 June 20082008-06-17T19:37:56Z<p></p>
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</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>'''Thangka''' [Tib.] - a thangka is a hanging scroll which consists of a painted or embroidered picture panel (called ''mélong'' [Tib.], which means ‘mirror’), usually depicting a [[buddha]], [[mandala]] or great practitioner, which has been sewn into a textile mounting. Thangkas are intended to serve as a record of, and guide for, contemplative experience and [[visualization]].</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''Thangka''' [Tib.] - a thangka is a hanging scroll which consists of a painted or embroidered picture panel (called ''mélong'' [Tib.], which means ‘mirror’), usually depicting a [[buddha]], [[mandala]] or great practitioner, which has been sewn into a textile mounting. Thangkas are intended to serve as a record of, and guide for, contemplative experience and [[<ins style="font-weight: bold; text-decoration: none;">kyerim|</ins>visualization]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Legend has it that the first ever thangka was made during the lifetime of the Buddha: in the Kalandaka region were two kings, Bimbisara and Udrayana. They used to send each other gifts from time to time and etiquette demanded that they always sent something more precious in return. When king Bimbisara had exhausted all the material goods he could offer back to king Udrayana, he decided to send him a painting of Lord Buddha. This gift was considered far more valuable than all the riches of the [[three realms]].</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The last section to be painted in a <del style="font-weight: bold; text-decoration: none;">Thangka </del>is the eyes. It is said that a thangka has opened its eyes after they have been made. The thangka is then considered sacred, but it is not to be worshipped until a lama has performed the consecration (Tib. ''[[rabné]]'').</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The last section to be painted in a <ins style="font-weight: bold; text-decoration: none;">thangka </ins>is the eyes. It is said that a thangka has opened its eyes after they have been made. The thangka is then considered sacred, but it is not to be worshipped until a <ins style="font-weight: bold; text-decoration: none;">[[</ins>lama<ins style="font-weight: bold; text-decoration: none;">]] </ins>has performed the consecration (Tib. ''[[rabné]]'').</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Key Terms]]</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[Category:Key Terms]]</div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Category:Shrine and Ritual]]</ins></div></td></tr>
</table>Sébastien